Venice 320
Midas
Venice 320
Midas Venice 320 32-Channel Audio Mixer
This mixer is ideal for smaller conference or live band applications, for effects returns or additional inputs in a large multi-console application, or as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit even the most cramped performance area.
The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
Technical Tools
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Manufacturer Specs
Inputs (total) 46
Mono-Inputs (Mic/Line) with Inserts 24
Stereo-Line/Mono-Mic-Input Channels 4/4
Stereo-Effect-Returns (Line) 4
Stereo-Tape-Return (Line) 1 left/right
Busses 15
Subgroups 4
Aux Pre-Fader (Monitor) 2
Aux Post-Fader (Effects) 2
Aux switchable Pre/Post-Fader 2
Master L/R 2
Mono-PFL 1
Stereo-AFL 2
Outputs
Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks
Aux Pre-Fader (Monitor) 2 XLR (balanced)
Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader 2 XLR (balanced)
Master (with Inserts) 2 XLR (balanced)
Master B Out 2 XLR (balanced)
(switchable Mono/Stereo, pre-post Fader)
Tape Send (Recording) 1 Stereo (Phono)
Direct Outputs (1/4 inch Jack) 24
Stereo-Headphones 2 Stereo-1/4 inch jack
Stereo-Speakers 2 impedanced balanced 1/4 inch jacks
Additional Features
Connector for desk lamps 2 x 12V/5W (4-Pin XLR)
Technical Data
Input Impedance
Mic 2kO Balanced
Line 20kO Balanced
Input Gain
Mic Continuously variable 0dB to +60dB
Line (Mono Channell) Continuously variable -20dB to +40dB
Line (Stereo Channel) Continuously variable -10dB to +20dB
Line Level Inputs 0 dB
Maximum Input Level
Microphone and Line +22dBu
Line Mono Channel +42dBu
Line Stereo Channel +28dBu
CMR at 1kHz
Mic (Gain +40dB) > 85dB
Line > 45dB
CMR at 100Hz
Mic (Gain +40dB) 75dB typical
Frequency Response (20Hz-20kHz)
Mic to Mix (Gain +60dB) + 0dB to -1dB
Noise (20Hz-20kHz)
Mic EIN ref. 150O gain +60dB -129dBu
Mic EIN ref. 150O gain 0dB -107dBu
System Noise (20Hz-20kHz)
Summing Noise (16channels routed, faders down) -90dBu
Line to Mix Noise (16 channels routed at 0dB) -84dBu
Distortion at 1kHz
Mic to Insert (+30dB Gain. +20dBu Output) Typ 0.0007%
Mic to Master (+30dB Gain, +20dBu Output) < 0.009%
Crosstalk at 1kHz
Channel to Channel < -80dB
Mix to Mix < -80dB
Channel to Mix < -80dB
Fader Attenuation > 100dB
Switch Rejection > 100dB
Output Impedance
Line Outputs 75O balanced
Headphones to drive 32O
Maximum Output Level
Master Outputs +25dBu
Line Outputs +22dBu
Headphones +22dBu / 600O
Nominal Signal Level
Microphone - 60dBu to 0dBu
Line 0dBu
Equalizer Mono Channel
Hi Pass Filter 2nd order Butterworth, 80Hz
Treble +/-15dB at 12kHz (Shelv)
Hi Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB
Lo Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB
Bass + /-15dB at 80Hz (Shelv)
Equalizer Stereo Channel
Treble +/-15dB at 12kHz (Shelv)
Hi Mid 3kHz (1,4 Oct) +/-15dB
Lo Mid 300Hz (1,4 Oct) +/-15dB
Bass +/-15dB at 80Hz (Shelv)
Mono-Inputs (Mic/Line) with Inserts 24
Stereo-Line/Mono-Mic-Input Channels 4/4
Stereo-Effect-Returns (Line) 4
Stereo-Tape-Return (Line) 1 left/right
Busses 15
Subgroups 4
Aux Pre-Fader (Monitor) 2
Aux Post-Fader (Effects) 2
Aux switchable Pre/Post-Fader 2
Master L/R 2
Mono-PFL 1
Stereo-AFL 2
Outputs
Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks
Aux Pre-Fader (Monitor) 2 XLR (balanced)
Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader 2 XLR (balanced)
Master (with Inserts) 2 XLR (balanced)
Master B Out 2 XLR (balanced)
(switchable Mono/Stereo, pre-post Fader)
Tape Send (Recording) 1 Stereo (Phono)
Direct Outputs (1/4 inch Jack) 24
Stereo-Headphones 2 Stereo-1/4 inch jack
Stereo-Speakers 2 impedanced balanced 1/4 inch jacks
Additional Features
Connector for desk lamps 2 x 12V/5W (4-Pin XLR)
Technical Data
Input Impedance
Mic 2kO Balanced
Line 20kO Balanced
Input Gain
Mic Continuously variable 0dB to +60dB
Line (Mono Channell) Continuously variable -20dB to +40dB
Line (Stereo Channel) Continuously variable -10dB to +20dB
Line Level Inputs 0 dB
Maximum Input Level
Microphone and Line +22dBu
Line Mono Channel +42dBu
Line Stereo Channel +28dBu
CMR at 1kHz
Mic (Gain +40dB) > 85dB
Line > 45dB
CMR at 100Hz
Mic (Gain +40dB) 75dB typical
Frequency Response (20Hz-20kHz)
Mic to Mix (Gain +60dB) + 0dB to -1dB
Noise (20Hz-20kHz)
Mic EIN ref. 150O gain +60dB -129dBu
Mic EIN ref. 150O gain 0dB -107dBu
System Noise (20Hz-20kHz)
Summing Noise (16channels routed, faders down) -90dBu
Line to Mix Noise (16 channels routed at 0dB) -84dBu
Distortion at 1kHz
Mic to Insert (+30dB Gain. +20dBu Output) Typ 0.0007%
Mic to Master (+30dB Gain, +20dBu Output) < 0.009%
Crosstalk at 1kHz
Channel to Channel < -80dB
Mix to Mix < -80dB
Channel to Mix < -80dB
Fader Attenuation > 100dB
Switch Rejection > 100dB
Output Impedance
Line Outputs 75O balanced
Headphones to drive 32O
Maximum Output Level
Master Outputs +25dBu
Line Outputs +22dBu
Headphones +22dBu / 600O
Nominal Signal Level
Microphone - 60dBu to 0dBu
Line 0dBu
Equalizer Mono Channel
Hi Pass Filter 2nd order Butterworth, 80Hz
Treble +/-15dB at 12kHz (Shelv)
Hi Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB
Lo Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB
Bass + /-15dB at 80Hz (Shelv)
Equalizer Stereo Channel
Treble +/-15dB at 12kHz (Shelv)
Hi Mid 3kHz (1,4 Oct) +/-15dB
Lo Mid 300Hz (1,4 Oct) +/-15dB
Bass +/-15dB at 80Hz (Shelv)