DM2000
Yamaha
DM2000
Yamaha DM2000 Digital Production Console
This digital production console offers 24-bit/96 kHz digital audio processing, comprehensive surround mixing and monitoring including bass management and down mixing, and hands-on control of popular DAW (Digital Audio Workstation) systems.
Product Weight: 94.8 lbs
Dimensions: 10.1"H x 32.3"D x 35.7"W
Technical Tools
PDF Documents
Manufacturer Specs
Number of scene memories: 99
Sampling Frequency
Internal: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External
Normal rate: 44.1 kHz–10% to 48 kHz+6%
Double rate: 88.2 kHz–10% to 96 kHz+6%
Signal Delay
Less than 2.3 ms CH INPUT to STEREO OUT (fs=48 kHz)
Less than 1.2 ms CH INPUT to STEREO OUT (fs=96 kHz)
Fader: 100 mm motorized with touch sense × 25
Fader Resolution
+10 to –138, –∞dB input faders (10bit fader data)
0 to –138, –∞dB master fader (10bit fader data)
Total Harmonic Distortion1 (CH INPUT to STEREO OUT), (Input Gain=Min.)
fs=48 kHz
Less than 0.05% 20 Hz to 20 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω
fs=96 kHz
Less than 0.05% 20 Hz to 40 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω
Frequency Response (CH INPUT to STEREO OUT)
20 Hz–20 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=48 kHz)
20 Hz–40 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=96 kHz)
Dynamic Range (maximum level to noise level)
110 dB typ. DA Converter (STEREO OUT)
108 dB typ. AD+DA (to STEREO OUT) @ fs=48 kHz
106 dB typ. AD+DA (to STEREO OUT) @ fs=96 kHz
Hum & Noise2 (20 Hz–20 kHz), Rs=150Ω, Input Gain=Max.
–128 dB Equivalent Input Noise
–92 dB residual output noise. STEREO OUT (STEREO OUT off)
–92 dB (96 dB S/N) STEREO OUT (STEREO fader at nominal level and all CH INPUT faders at minimum level)
–64 dB (68 dB S/N) STEREO OUTPUT (STEREO fader at nominal level and one CH INPUT fader at nominal level)
Maximum Voltage Gain
74 dB CH INPUT (CH1–24) to STEREO OUT/OMNI (BUS) OUT
74 dB CH INPUT (CH1–24) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1–24) to CONTROL ROOM MONITOR OUT (via STEREO bus)
Crosstalk (@ 1 kHz), Input Gain=Min.
–80 dB adjacent input channels (CH1–24)
–80 dB input to output
AD Input (1–24: A/B)
Phantom switch: +48 V DC is supplied to A (XLR-3-31 type) input
Pad switch: 0/26 dB attenuation
Gain control: 44 dB (–60 to –16), detented
Peak indicator: LED (red) turns on when post HA level reaches 3 dB below clipping
Signal indicator: LED (green) turns on when post HA level reaches 20 dB below nominal
Insert: OUT, IN (pre AD converter)
Insert switch: on/off
AD converter: 24-bit linear, 128-times oversampling (fs=48 kHz)
Analog Input (2TR IN ANALOG 1, 2): AD converter 24-bit linear, 128-times oversampling (fs=48 kHz)
Option Input (SLOT 1–6)
Available cards: Optional digital interface cards (MY16, MY8, MY4 series)
Digital Input (2TR IN DIGITAL 1–3)
SRC: On/off (1:3 and 3:1 maximum input to output sample rate ratio)
Input Channel: CH 1–96
Input patch: —
Phase: Normal/reverse
Gate-type
On/off
Key in: 12 ch Group (1–12, 13–24, 25–36, 37–48, 49–60, 61–72, 73–84, 85–96)/AUX1–12
Comp-type
On/off
Key in: self/Stereo Link
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
Delay: 0–43400 samples
On/off: —
Fader: 100 mm motorized (INPUT/AUX1–12)
Aux send: On/off, AUX1–12; pre fader/post fader
Solo: On/off, Pre fader/after pan
Pan: 127 positions (Left= 1–63, Center, Right= 1–63)
Surround pan: 127 × 127 positions
LFE level: –∞, –96 dB to +10 dB (256 step)
Routing: STEREO, BUS1–8, DIRECT OUT
Direct out: Pre EQ/pre fader/post fader
Metering
Displayed on LCD
Peak hold on/off
TALKBACK
Level control: Analog rotary potentiometer
AD converter: 24-bit linear, 128-times oversampling
Talkback select: Built-in microphone/AD IN 1–24
On/off: —
Slate: On/off
OSCILLATOR
Level: 0 to –96 dB (1 dB step)
On/off: —
Waveform: Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise
Routing: BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO L, R
STEREO OUT
DA converter: 24-bit linear, 128-times oversampling
OMNI OUT 1–8
Output patch: SURROUND MONITOR, STEREO, BUS1–8, AUX1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT (CH1–96,
BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO)
DA converter: 24-bit linear, 128-times oversampling
CONTROL ROOM MONITOR OUT (LARGE, SMALL)
Monitor select: STEREO, 2TR IN DIGITAL 1, 2TR IN DIGITAL 2, 2TR IN DIGITAL 3, 2TR IN ANALOG 1, 2TR IN ANALOG
2, ASSIGN 1, 2 (BUS 1–8/AUX 1–12/MATRIX 1–4)
Solo contrast: –96 to 0 dB (1 dB step)
Mono: On/off
Dimmer: On/off
DA converter: 24-bit linear, 128-times oversampling
Level control: Analog rotary potentiometer
Phones level: Analog rotary potentiometer
Small trim: Analog rotary potentiometer
STUDIO MONITOR OUT
Monitor select: CONTROL ROOM, STEREO, AUX 11, AUX 12
DA converter: 24-bit linear, 128-times oversampling
Level control: Analog rotary potentiometer
2TR OUT DIGITAL 1–3
Dither: On/off, Word length 16, 20, 24-bit
Output patch: STEREO, BUS1–8, AUX 1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT, CONTROL ROOM
SRC: On/off (1:3 and 3:1 maximum input to output sample rate ratio)
Option Output (SLOT 1–6)
Available cards: Optional digital interface cards (MY16, MY8, MY4 series)
Output patch: SURROUND MONITOR, STEREO, BUS1–8, AUX1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT (CH1–96,
BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO)
Dither: On/off, Word length 16/20/24-bit
Memory card slot: SmartMedia
STEREO
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Balance: 127 positions (Left=1–63, Center, Right=1–63)
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering: Displayed on LCD, Peak hold on/off
BUS1–8
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Bus to stereo
Level (–∞, –130 dB to 0 dB)
On/off
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering: Displayed on LCD, Peak hold on/off
AUX1–12
Comp-type: On/off, Pre EQ/pre fader/post fader
Attenuator –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering
Displayed on LCD
Peak hold on/off
MATRIX 1L–4R
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Balance: 127 positions (Left=1–63, Center, Right=1–63)
Delay: 0–43400 samples
Metering
Displayed on LCD
Peak hold on/off
SURROUND MONITOR
Mute: On/off
Solo: On/off
Source: BUS1–8, SLOT 1–6
Monitor to C-R: On/off
Oscillator: Pink noise/500–2 kHz/1 kHz
Monitor matrix: 6.1→6.1, 6.1→5.1, 6.1→3-1, 6.1→ST, 5.1→5.1, 5.1→3-1, 5.1→ST, 3.1→3.1, 3.1→ST
Bass management: 5 presets
Monitor alignment: ATT (–12.0 dB to 12 dB 0.1 dB step), Delay (0–30.0 msec, 0.01 msec step)
INTERNAL EFFECTS (EFFECT 1–8)
Bypass: On/off
In/out
8-in, 8-out (EFFECT1–2): depends on effects type
2-in, 2-out (EFFECT3–8): depends on effects type
Effect-in from: AUX1–12/INSERT OUT/effect-out
Effect-out to: Input patch/effect-in
GRAPHIC EQUALIZERS (GEQ 1–6)
On/off: —
Band number: 31
Limit: ±15 dB, ±12 dB, ±6 dB, –24 dB
Insert position: BUS1–8/AUX1–12/STEREO L, R/MATRIX 1L–4R
Power Requirements
U.S./Canada: 120 V, 60 Hz 300 W
Other: 220–240 V, 50/60 Hz 300 W
Dimensions: 10.1"H x 32.3"D x 35.7"W (257 x 821 x 906 mm HxDxW)
Net weight: 94.8 lbs (43 kg)
Operating free-air temperature range: 50–95°F (10–35°C)
Storage temperature range: –4 to 140°F (–20 to 60°C)
NOTES
1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz.
2. Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
Sampling Frequency
Internal: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External
Normal rate: 44.1 kHz–10% to 48 kHz+6%
Double rate: 88.2 kHz–10% to 96 kHz+6%
Signal Delay
Less than 2.3 ms CH INPUT to STEREO OUT (fs=48 kHz)
Less than 1.2 ms CH INPUT to STEREO OUT (fs=96 kHz)
Fader: 100 mm motorized with touch sense × 25
Fader Resolution
+10 to –138, –∞dB input faders (10bit fader data)
0 to –138, –∞dB master fader (10bit fader data)
Total Harmonic Distortion1 (CH INPUT to STEREO OUT), (Input Gain=Min.)
fs=48 kHz
Less than 0.05% 20 Hz to 20 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω
fs=96 kHz
Less than 0.05% 20 Hz to 40 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω
Frequency Response (CH INPUT to STEREO OUT)
20 Hz–20 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=48 kHz)
20 Hz–40 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=96 kHz)
Dynamic Range (maximum level to noise level)
110 dB typ. DA Converter (STEREO OUT)
108 dB typ. AD+DA (to STEREO OUT) @ fs=48 kHz
106 dB typ. AD+DA (to STEREO OUT) @ fs=96 kHz
Hum & Noise2 (20 Hz–20 kHz), Rs=150Ω, Input Gain=Max.
–128 dB Equivalent Input Noise
–92 dB residual output noise. STEREO OUT (STEREO OUT off)
–92 dB (96 dB S/N) STEREO OUT (STEREO fader at nominal level and all CH INPUT faders at minimum level)
–64 dB (68 dB S/N) STEREO OUTPUT (STEREO fader at nominal level and one CH INPUT fader at nominal level)
Maximum Voltage Gain
74 dB CH INPUT (CH1–24) to STEREO OUT/OMNI (BUS) OUT
74 dB CH INPUT (CH1–24) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1–24) to CONTROL ROOM MONITOR OUT (via STEREO bus)
Crosstalk (@ 1 kHz), Input Gain=Min.
–80 dB adjacent input channels (CH1–24)
–80 dB input to output
AD Input (1–24: A/B)
Phantom switch: +48 V DC is supplied to A (XLR-3-31 type) input
Pad switch: 0/26 dB attenuation
Gain control: 44 dB (–60 to –16), detented
Peak indicator: LED (red) turns on when post HA level reaches 3 dB below clipping
Signal indicator: LED (green) turns on when post HA level reaches 20 dB below nominal
Insert: OUT, IN (pre AD converter)
Insert switch: on/off
AD converter: 24-bit linear, 128-times oversampling (fs=48 kHz)
Analog Input (2TR IN ANALOG 1, 2): AD converter 24-bit linear, 128-times oversampling (fs=48 kHz)
Option Input (SLOT 1–6)
Available cards: Optional digital interface cards (MY16, MY8, MY4 series)
Digital Input (2TR IN DIGITAL 1–3)
SRC: On/off (1:3 and 3:1 maximum input to output sample rate ratio)
Input Channel: CH 1–96
Input patch: —
Phase: Normal/reverse
Gate-type
On/off
Key in: 12 ch Group (1–12, 13–24, 25–36, 37–48, 49–60, 61–72, 73–84, 85–96)/AUX1–12
Comp-type
On/off
Key in: self/Stereo Link
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
Delay: 0–43400 samples
On/off: —
Fader: 100 mm motorized (INPUT/AUX1–12)
Aux send: On/off, AUX1–12; pre fader/post fader
Solo: On/off, Pre fader/after pan
Pan: 127 positions (Left= 1–63, Center, Right= 1–63)
Surround pan: 127 × 127 positions
LFE level: –∞, –96 dB to +10 dB (256 step)
Routing: STEREO, BUS1–8, DIRECT OUT
Direct out: Pre EQ/pre fader/post fader
Metering
Displayed on LCD
Peak hold on/off
TALKBACK
Level control: Analog rotary potentiometer
AD converter: 24-bit linear, 128-times oversampling
Talkback select: Built-in microphone/AD IN 1–24
On/off: —
Slate: On/off
OSCILLATOR
Level: 0 to –96 dB (1 dB step)
On/off: —
Waveform: Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise
Routing: BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO L, R
STEREO OUT
DA converter: 24-bit linear, 128-times oversampling
OMNI OUT 1–8
Output patch: SURROUND MONITOR, STEREO, BUS1–8, AUX1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT (CH1–96,
BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO)
DA converter: 24-bit linear, 128-times oversampling
CONTROL ROOM MONITOR OUT (LARGE, SMALL)
Monitor select: STEREO, 2TR IN DIGITAL 1, 2TR IN DIGITAL 2, 2TR IN DIGITAL 3, 2TR IN ANALOG 1, 2TR IN ANALOG
2, ASSIGN 1, 2 (BUS 1–8/AUX 1–12/MATRIX 1–4)
Solo contrast: –96 to 0 dB (1 dB step)
Mono: On/off
Dimmer: On/off
DA converter: 24-bit linear, 128-times oversampling
Level control: Analog rotary potentiometer
Phones level: Analog rotary potentiometer
Small trim: Analog rotary potentiometer
STUDIO MONITOR OUT
Monitor select: CONTROL ROOM, STEREO, AUX 11, AUX 12
DA converter: 24-bit linear, 128-times oversampling
Level control: Analog rotary potentiometer
2TR OUT DIGITAL 1–3
Dither: On/off, Word length 16, 20, 24-bit
Output patch: STEREO, BUS1–8, AUX 1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT, CONTROL ROOM
SRC: On/off (1:3 and 3:1 maximum input to output sample rate ratio)
Option Output (SLOT 1–6)
Available cards: Optional digital interface cards (MY16, MY8, MY4 series)
Output patch: SURROUND MONITOR, STEREO, BUS1–8, AUX1–12, MATRIX 1L–4R, DIRECT OUT 1–96, INSERT OUT (CH1–96,
BUS1–8, AUX1–12, MATRIX 1L–4R, STEREO)
Dither: On/off, Word length 16/20/24-bit
Memory card slot: SmartMedia
STEREO
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Balance: 127 positions (Left=1–63, Center, Right=1–63)
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering: Displayed on LCD, Peak hold on/off
BUS1–8
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Bus to stereo
Level (–∞, –130 dB to 0 dB)
On/off
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering: Displayed on LCD, Peak hold on/off
AUX1–12
Comp-type: On/off, Pre EQ/pre fader/post fader
Attenuator –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Delay: 0–43400 samples
Matrix send
Pre fader/post fader
Level (–∞, –96 dB to +10 dB)
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Metering
Displayed on LCD
Peak hold on/off
MATRIX 1L–4R
Comp-type
On/off
Pre EQ/pre fader/post fader
Attenuator: –96.0 to +12.0 dB (0.1 dB step)
EQ
4-band PEQ
On/off
On/off: —
Fader: 100 mm motorized
Balance: 127 positions (Left=1–63, Center, Right=1–63)
Delay: 0–43400 samples
Metering
Displayed on LCD
Peak hold on/off
SURROUND MONITOR
Mute: On/off
Solo: On/off
Source: BUS1–8, SLOT 1–6
Monitor to C-R: On/off
Oscillator: Pink noise/500–2 kHz/1 kHz
Monitor matrix: 6.1→6.1, 6.1→5.1, 6.1→3-1, 6.1→ST, 5.1→5.1, 5.1→3-1, 5.1→ST, 3.1→3.1, 3.1→ST
Bass management: 5 presets
Monitor alignment: ATT (–12.0 dB to 12 dB 0.1 dB step), Delay (0–30.0 msec, 0.01 msec step)
INTERNAL EFFECTS (EFFECT 1–8)
Bypass: On/off
In/out
8-in, 8-out (EFFECT1–2): depends on effects type
2-in, 2-out (EFFECT3–8): depends on effects type
Effect-in from: AUX1–12/INSERT OUT/effect-out
Effect-out to: Input patch/effect-in
GRAPHIC EQUALIZERS (GEQ 1–6)
On/off: —
Band number: 31
Limit: ±15 dB, ±12 dB, ±6 dB, –24 dB
Insert position: BUS1–8/AUX1–12/STEREO L, R/MATRIX 1L–4R
Power Requirements
U.S./Canada: 120 V, 60 Hz 300 W
Other: 220–240 V, 50/60 Hz 300 W
Dimensions: 10.1"H x 32.3"D x 35.7"W (257 x 821 x 906 mm HxDxW)
Net weight: 94.8 lbs (43 kg)
Operating free-air temperature range: 50–95°F (10–35°C)
Storage temperature range: –4 to 140°F (–20 to 60°C)
NOTES
1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz.
2. Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.